If something is retro, as it ages does it still embody the same nostalgia of the era it is evoking? Or, does it engender that same feeling for the time in which it was created, and that era’s take on the period in the past it still channels? Heavy stuff, I know.
Recorded in 1996 for the album – yes, they still called them that then – Siamese Dream Mellon Collie and the Infinite Sadness, 1979 supposedly was almost dropped from the album’s line up. The record’s producer – Mark Ellis, better known as Flood – felt it wasn’t strong enough, requiring Billy Corgan to rush to change it and bring it up to snuff.
Apparently he was successful because the ode to disaffected youth because the Smashing Pumkins’ highest reaching single, hitting number 12 on the Billboard 100. Take a trip back in time, in a sweet lime green Charger, after the jump.
[youtube width=”720″ height=”540″]https://www.youtube.com/watch?v=4aeETEoNfOg[/youtube]
Source: YouTube
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